The Birth of an Icon - Hurst's Corner

[photo courtesy of Google Earth]

      Few from my home town of Huron, South Dakota, won't recognize this local icon.  It's been in existence longer than most of us have, sitting right there on the corner of 2nd and Dakota.  The stories it could tell!  But thank goodness, it can't.

     Late May of 1939 brings the inception of legalized on-sale liquor to Huron - something not done since the saloons went out of business more than 20 years prior.  Hurst's Corner was first to obtain a license, followed quickly by the Marvin Hughitt Hotel and William E. Wagner.  Wagner was the proprietor of the Sportsman's Bar.

     South Dakota state law forbade both off- and on-sale of liquor in the same building, so some quick remodeling was done to be compliant.  Carl Daum became responsible for the off-sale part of the business, located in the center of the building and facing 2nd street, while owner S. A. Goethal would run the on-sale part.

     And here we are, 80+ years later, and Hurst's Corner is still there.

Sources:
Google Earth
Evening Huronite, Huron, South Dakota, 23 May 1939, pg. 1
1940 Huron City Directory

F. C. W. Kuehn and the Kinyon Funeral Home in Huron, South Dakota

The building at 373 Wisconsin SW in Huron in recent years.

     Like many other local buildings, this one was designed by prominent architect F. C. W. Kuehn and built for Frank D. Kinyon to house his funeral home business.  A little about Kuehn: He was born in 1884 in LeMars, Iowa, and shortly afterward moved to a sod house with his family to Sanborn co., Dakota Territory. At the age of 19 (give or take) they moved to Huron. Here he married and had a family. He took correspondence courses in architecture and afterward worked with Huron architect George Issenhuth. In 1909, he opened his own office. He designed many school houses in the area, including several in Huron; however he also was involved with designing homes and other buildings as well as drawing county maps. He died in 1970.
 

     This building is described as a "two-story basement and brick building" for F. D. Kinyon, Plan No. H 3-30-7.
 

     Kinyon Funeral Home was established in Huron in 1915, originating in Bradley, SD. When relocating to Huron, Frank D. Kinyon took over the funeral home of John P. Walsh, which was located at 127 Third St. SW. The building pictured above, located on 4th and Wisconsin Ave., was finished and occupied in 1927. The business was run by Kinyon, who was later joined by his son, Frank I. Kinyon. In 1945, the elder Kinyon retired, and his son took a job as field representative for the American Red Cross in Battle Creek, Michigan.

     At that time, the building was sold to the American Legion Post #7 for $42,000.  Besides a new home for the Post, the Auxiliary and the junior organization of the Legion were also to be housed there.  The building continued in their ownership through at least 1992, and probably for some time afterward.
 

Sources:

Current photo - Google Earth

https://www.sdstate.edu/sdsu-archives-and-special-collections/fcw-kuehn-papers

Huron City Directories, 1926 - 1992

Daily Huronite, 03 June 1945

Daily Huronite and Plainsman, 28 June 1946

A Love Story that Lives On

     Bill Knutz and Lillian Christensen knew each other nearly their whole lives.  As children, their parents' farms were located around the corner from each other, less than a mile apart.  The children of both families attended the same rural school and formed close friendships throughout the years.  Bill and Lillian's brother Ray were best of friends, but it was Lillian really caught Bill's attention.

     Bill loved to tell their grandchildren the story of how they "laid claim to each other" in the third grade.  Bill's route to school took him past the Christensen farm.  One morning, Bill and his brother Howard, in their horse-drawn buggy, ran into Lillian and Raymond Christensen in their buggy. A race ensued, but unfortunately, the wheels of the two buggies became entangled and locked together.  Needless to say, the next day (and every day thereafter), Bill and Howard could be seen riding a single horse to school  The same thing held true for Lill and Ray.  But down the road a distance they would do a switch; Ray and Howard would end up on one horse, and Bill and Lillian on the other.

At Sunnyside school, early 1920s, Bill Knutz and Lillian Christensen (marked with X)

     On one occasion, when the kids were in third grade, Bill got sick and missed a few days of school.  The teacher asked Lillian to sit next to him and show him the lesson.  Bill said, "I got a feeling all through my body, like I wanted to put my arm around her waist and give her a hug."

     One of Bill's favorite stories was when Lillian wanted to see if he was an honorable fellow, or a snitch.  One day at school, a girl named Harriet dropped her mitten.  Ray grabbed it and hung it on a nail in the barn.  The teacher asked Lillian who did it, and she said it was Bill.  Bill did not "squeal" on Ray, even though he had to spend noon hours inside all week.  And he married her anyway!

     As teenagers, Lillian moved to town and took a job as a nanny.  Bill worked as a farm hand for Mr. Peterson, whose daughter had a crush on Bill and would stop at nothing to get him.  Lettters and messages for Bill would not be delivered and she tried everything she could to get Bill's attention focused away from Lillian and on to her.  At Christmas Bill was invited to Christensen's for a Christmas Day celebration.  He had to borrow a horse from Mr. Peterson to get there.  His daughter was furious when she found out, and even more so when he went back to Christensen's to celebrate New Year's Day!  She told him he should spend the day with her, and asked, "What if Daddy won't let you have the pony?" to which he replied, "I'll walk then."

     A few summers later, Bill and Ray went to Nebraska to work as farm laborers.  Bill diligently saved his pay, but on the way back they stopped at a pawn shop and he found a saxophone.  He said he had always wanted to play one, and despite no musical training and no ability to read music, he decided to spend the $10 and buy it.  He also came back home with a black onyx and diamond ring for Lillian.

   Bill and Lillian had planned to get married for quite a while before it actually happened.  This was during the Great Depression, and their primary problem was a lack of money.  But they finally decided to go ahead anyway, and on Dec. 28, 1935, they jumped in Bill's car and drove to nearby Miller, where their friends Henry and Grace Speirs witnessed their wedding.  Lillian had a government job that paid better than farming, and because jobs were saved for single women, they did not tell anyone of their marriage.  However, when Bill's car was spotted overnight down the street from Lillian's apartment, to save their good names they were forced to make an announcement, and Lillian had to resign from her job.

     And the rest is history.  There were good times, and there were bad times, but they stuck it out together.  What stuck with me as a child was how respectfully they treated each other even when they disagreed; how Grandpa bent over backwards to take care of his wife, family and home, and how Grandma did all she could to take care of Grandpa and was fiercely protective of him.  Though both of them are gone now, it's a love story that lives on.

Using Shutterfly to Preserve Your Family's Stories

One evening, I got an email from a friend suggesting I check out a free 8x8 hardcover book Shutterfly was offering.  It was a game changer as far as recording my family history is concerned.

I took some of my favorite digitized photos of my grandparents and put them together in a simple format, just to familiarize myself with the ins and outs of making a book.  They offer pre-made templates and a"drag and drop" process that is easy to use. It was a relatively endeavor, and I got a nice little book my granddaughters enjoyed.

But this type of book was not what I was envisioning... I wanted something far more customizable with the ability to add much more text, and I had my own vision for format, backgrounds, and layout.  I wanted a way to preserve my family's stories, and to be able to add photos and maps to make them come to life.  Shutterfly has an "advanced editing" mode, which allows the user to customize every page, and it's relatively intuitive - a plus for people like me who hate to read instructions.


I began with a book of the family stories I'd grown up hearing, things that had been passed down from generation to generation, and interesting things about our ancestors.  One thing I learned: I had way more stories and anecdotes than I realized!  I put a second book together, followed by two more books of stories from my own childhood, recalling events involving my grandparents, great-grandparents, aunts and uncles, and other people my granddaughters will never meet or know.  But they'll know them through these books.

When those books were finished, I wrote another of the history of my grandmother-in-law's pheasant farm, which was well-known in that locale, and had the honor of donating pheasants to the national zoo.  I put together another book detailing the life of my great-grandfather, a Danish immigrant who led a rather interesting life.  "The Grandma Book" is a tribute to the lives of my grandmothers - some have just one page, others have several pages of both stories and photos.  But all of my more recent grandmothers are represented.



Besides the blatant genealogy-oriented books, I came up with a few other ideas to sneak in a little family history.  I put together a book of the quilts I own, some of which I created, and others that are family heirlooms; each page tells a little about the quilt, its pattern name and its significance.   Another book contains favorite recipes from five generations of our family's cooks.   I put this book together early in the year, and when Shutterfly periodically offered a free or half-priced book I'd get another copy of it until I had enough to give as Christmas presents.  I also sneaked in a photo of each cook and a little of her background, and the significance of each recipe.  It was a unique and useful gift that was well-received.

I will take this opportunity to say that I have no affiliation with Shutterfly, and they are not the only company that offers this kind of service.  There are a million other ways you can use services of this kind to enhance your family history and leave something behind that almost anyone in the family would enjoy reading.

Lillian and Marie

There's few better blessings than a long-term friendship.  From at least 1916, Lillian Christensen and Marie Morse were friends, with the Morse family living on the next block over on Beach street.  The Morses eventually moved from Huron, but the families still got together.  When Lillian passed away, Marie's name and address were in her address book, though they probably did not get together in person frequently if at all.

Below, Lillian and Marie through the years - top, about 1916; middle, 1927.

Katrina, I'll find you if it takes me the rest of my life. And it might.

 Subtitled: Emilie saves the day

Jens and Katrina Jensen and their children lived in Council Bluffs, Iowa after immigrating from Denmark.  After a few years, they moved across the river to Omaha, where Jens owned a bakery and Katrina helped in the operation.   The next mention of them is in a couple of letters written by Katrina's brother Pete, who had moved to California, where she and Jens also lived at that time (1940s). 

Katrina Jensen

I don't know exactly when they moved to Los Angeles.  Katrina was a witness at the wedding of her sister, Caroline, in 1924 in Council Bluffs, so I presume they made the move soon after that.

My search for these people in California has hit more than one roadblock.  First, my best source of directories was Ancestry.com, and it was disheartening to realize that their collection from the late 1920s until about 1935 consisted of partial directories.  And, you guessed it, the parts I needed were missing.  I was able to overcome that by (eventually) discovering that the LA Public Library has online copies of the years that I needed.  Between the two sources, I figured I'd have it easy from that point on. 

Wrong.

There did not appear to be a Jens Jensen who was a baker, or who had a wife listed by the appropriate name.  There were no entries for a Katrina Jensen at all. 

Thank goodness I discovered a bare-bones death notice for Katrina, or I would have been totally up the creek, in more ways than one.  Born Ane Katrine in Denmark, her death notice called her Anna C.  If it hadn't listed her children by name, I would never have known it was her.   I went back to the directories and began not only looking for Anna, but Catherine, even Kathryn.  Unfortunately, all three are common names, and I had no way to distinguish which if any of these women were my Katrina.

In rereading her death notice, it finally hit me like a rock upside the head that her children would have been adults during those years.  So, back to the directories.   I was grateful that her oldest son had an uncommon name like Hilbert.  But he apparently did not go to Los Angeles with the rest of them, as he was not listed in any of the directories.  Her other son was Albert - and there were a number of Alberts listed.  Then - there was her daugher, Emilie.  No matter how it was spelled, it did not appear to be a common name at that time and place, and I was able to find one "Emilie" listed.  I noted the address, and went back to check Jens, Anna/Catherine/Kathryn and Albert.  I was able to find a Catherine and an Albert at the same address as Emilie.  Voila!  Catherine was a seamstress, which was a handy thing to know - because they moved every year or two.  Of course.  But at least they did not change occupations like they did addresses.

Albert got married and settled down in a house of his own, but I was able to continue to track Catherine and Emilie in this manner, until Emilie did the unthinkable - she got married.   None of the Catherines I found in the directories after 1936 was a seamstress, and none of them had the same address as Emilie or Albert.  The trail had gone cold.

And Jens?  I continued to find several Jens Jensens, who were bakers in Omaha long after Katrina had been documented in California.  Perhaps he didn't follow them when they left.  However, he is buried with Katrina in Los Angeles.

Clearly there are a lot of questions left to be answered, but right now, I'm out of ideas. I'm focusing my research on her descendants and siblings in hopes that I might get a fresh lead on her.

Who is on Card #143?

Tonight seemed like a good night to fill in the South Dakota State Census information for my grandmother's family of origin.  The state census was taken every five years, and  FamilySearch.org has the actual cards filmed, so I bypassed Ancestry and went directly there. 

Because the cards are arranged alphabetically, I needed to look up each person in the household separately, which was no big deal.  I happened to be working backward, from 1935 to 1905.  The mystery is in the 1915 census. 

I found my great-grandfather, Peter Christensen, Card #141, first.  Then his wife, Ella, Card #142.  Then I found my grandmother, Lillian, age 3, Card #144, and finally, Raymond, age 1, Card #145.  The next child to be born would be Clarence in 1917.  So, who is enumerated on Card #143?

Perhaps for some reason the card needed to be destroyed and does not exist.

The most natural supposition is that Ella's mother, Alvilda Monsen, is on that card. Alvilda arrived at New York City, aboard the ship "Kristianiafjord", on 16 May 1915.  She was bound for Huron, South Dakota to the home of her son-in-law, P. C. Christensen.  I do not know the exact date the Christensens were enumerated, or if Alvilda made it there in time to be counted among the household.

Family Search did not list an Alvila, Alfhilde, Monsen, Monson, nor Munson in the index.  Ancestry did not, either.

So, the question remains: Who is on Card #143?